What was left
I’ve created a pair of new works for a group show- Things That Fall In Between at opens today in R-Space gallery Lisburn. The Gallery is set in the ground floor of an old Georgian Rectory, with the rest of the building still waiting refurbishment and it is in the rest of the building that works are sited. The idea was have makers respond to the space, installing the works in situ with the gallery space used to hold an archive of the processes -drawings, sketch books, documentary video etc. An each artist was challenged to push their practice further- something which the space itself demanded. For this I decided to focus on domestic objects- siting the works in an old broom cupboard and upscaling the work. In the end I produced two brooms, almost a male/female set with the largest being about 8 feet long using found natural materials, linen and silk threads and some small found objects. No silver this time- it was interesting working on a larger scale- very challenging and I’m not yet sure how successful the pieces are but it certainly has me interested in doing some more larger pieces as well as plans for other, smaller interesting objects.
I’ll post further pictures and information next week after the show has opened.
Threads
Work at Collect
Work at Collect
Collect 2012
For the first time I’ll be showing at Collect at the Saatchi Gallery which opens on the 10th of May. I was invited by Ann Mulrooney to show with National Craft Gallery and I decided to take the opportunity to do some new work in addition to showing a few pieces I have made previously. The new work is a combination of found objects and fabricated silver parts, again using the theme of utensils and implied functionality – although this time I drew upon a variety of sources- from prison shivs to agricultural forms. How the pieces are joined together is the key element in the new works in addition to the selection of the found objects and the fabrication of the silver components. I really enjoyed tying in small objects like washers using silk thread or, more often, antique irish linen thread produced in either Belfast or lisburn.
Typically enough there wasn’t time to do everything i had wanted- which means I have a brimful of ideas to pursue in future work- possibly for Utensil, an exhibition curated by Angela O’Kelly at the National Craft Gallery as part of the Kilkenny Arts Festival. But more of that later.
Here are a few WIP pictures I took while I was working on the new pieces-a variety of sketches and assemblage. As well as drawing in my notebooks I fabricate shapes and collected objects, then I will play around looking at arrangements and composite forms, working out what sits well together before deciding how to join the disparate elements.
I’ll post some pictures of the new work after Collect- maybe see you there.
Fit for `purpose @ the V&A.
I got the opportunity to take part in the Contemporary British Silversmiths exhibition at the V&A, which runs for the next 3 months [I think!]. The theme was “Fit for Purpose”- which conveyed to me the idea of function and utility- ideas which are implied and subverted in the pieces I make. I always look at shapes and forms which relate to function- old tools, utensils and domestic forms so this theme set easily with my work. Recently I have picked up old parts of tools and I had thought of remaking/reconstructing them with alternative materials to give them an alternative sense of purpose. Perhaps implying a use in the ephemeral realm rather than the purely practical physical sphere of existence, the purpose being related to memory, emotion and experience instead. I chose two pieces to work with- a found plastic paintbrush handle washed up on the beach and a discarded rusty hacksaw frame. I take a great deal of pleasure in turning discarded old rubbish into pieces to be treasured and to me these pieces where just a precious as the silver I was pairing them with. For the brush I used my own hair- purely due to the need for a certain material quality- to keep it a brush, but still to take it beyond simple functionality. To join the handle I made a rectangular, laced up box- the pressure of the tied form keeping the two parts, hair and handle, together. I liked the angular form contrasting with the curves of both the handle and the bunched hair, distorted by the forms it held, tied tight with bright red silk. The saw frame i reworked by casting individual rose thorns in silver as teeth for the blade, these where strung on white silk thread and held in tension. I silk and enriched[white] silver set beautifully against the brown rusted frame, vivid and rich, and the handle was bound with linen twine, warm and functional.
These where named “Found/Fabricated” , which really is the essence of my work- the combination of what is found and what is made which lifts the two to a different perspective.
Collect 2012 wip.
Excavation
New piece as part of a set called Excavation. Investigating the brush shapes that have been appearing in my drawings. This time driven by collected fragments of broken saw blades from Jewellers saws. Interesting quality of line from the different gauges of the blades, differing lengths of the fragments alongside the fine toothed cutting edges of the blades. This intensity of line implying a wildness, an energy of past activity bound into an alternative object, tied into another identity.
Drawing..
Sketching
Another drawing from my sketch book- in watercolour and ink on heavy water colour paper. These drawings are an exploration of new directions in making, I intend to reflect the marks made in the drawings in the selection of the materials I use and the processes and construction techniques employed. I want to do a larger series of these as works in their own right.



















