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Drawings explained

December 3, 2013

I have started doing a daily drawing after realising I hadn’t drawn in months. Drawing is a key part of my practice, I love playing around with shapes and marks, considering form and composition of imagined objects. I usually use watercolours or inks- for their vivid colours and ability to stain, wash out and mark.
The shapes I’m investigating generally are forms with a sense of utility/function- most recently arrows with their relationship with my early play in the woods as a kid. I feel this expands upon my interest in utensils as an artist coming from the field of silversmithing. Utensils are simply defined as objects switch utility- I see this as an open definition including tools and weapons as well as the domestic forms of knives and forks.
I draw on watercolour blocks of paper – usually heavy weight Fabriano, at the moment mostly on 5″x7″ sheets. This small size is great for doing quick drawings- small and intimate without a massive space to consider. Small means quick and considered – which is helpful as I had become so busy that the activity of drawing had slipped away, overcome by other demands on my time. It’s good to get back to drawing regularly, a simple pleasure and as it becomes more regular I think the drawings will become more expansive. Here is a quick pic of a larger drawing and 3 of the Arrow series.

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Sepia

December 3, 2013

Sepia watercolour drawing- 5″x7″ on Fabriano 140lbs.

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daily draw

December 2, 2013

Arrow – watercolour 5×7″

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Two

December 1, 2013

Two arrows – watercolour drawings.

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Straight to your heart

November 30, 2013

Arrow drawing, watercolour.

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Little Arrow

November 29, 2013

Little arrow drawing, watercolour.

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dream hunters

November 28, 2013

Thinking of new work in response to visits to Redburn forest, of revisiting forms I made as a kid but in the manner in which I make now. Thinking of bows and arrows as a starting point with echoes of hunting, dreaming and fantastical adventures through the woods. New drawings…

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Setting The Scene Catalogue

November 23, 2013

This week I received the catalogue for Setting The Scene.It’s a beautiful hardback book featuring the work of all ten participating artists as well as essays by Curator Sara Roberts, cultural historian Martina Margetts and Professor Simon Liversedge, Professor Nick Donnelly and Dr Hayward Godwin.
I was particularly pleased that my work featured on the cover.
More information about the project can be found here

Setting the Scene - Helen Carnac Setting The Scene picture Setting the Scene Catalogues Setting The Scene Back Cover Setting the Scene catalogue front cover Setting The Scene inside back cover

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Redburn Forest

November 4, 2013

Today’s walk returned me to Redburn Forest, it is on the outskirts of Holywood, my home town and extends over the Holywood Hills with views over Belfast. I haven’t been there in a long time but as a kid one of my best friends lived opposite and from the age if 7 or 8 we would spend many afternoons there. It was a place that fired my imagination – we built dens, played commandos and Robin Hood and generally ran riot. I think it is one of the places that has formed the artist I am today.
It was a beautiful, bright Autumn day today and seeing the woods in that light brought back that excitement I had as a kid. As usual I took lots of photos- I didn’t collect anything today, but I plan on returning. I really want to do a series of pieces based on this place, possibly referencing my childhood adventures. An attempt of capture the wonder, excitement and magic I felt back then and which I still feel now.
In the meantime here are a few photos to give a sense of the place.

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Setting The Scene

November 3, 2013

Very pleased to be part of this exhibition – Setting The Scene, curated by Sara Roberts at the Craft Study Centre. Opens next Saturday the 9th of November and work sits alongside some fantastic makers such as Simone ten Hompel, Helen Carnac and Rosa Nguyen.

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